Tyler McLoughlan, Journalist

A version of Bob Dylan’s Wagon Wheel underlines the appeal of Women In Docs – instinctive melodies and good clean fun musical times.

"I think it’s the reason why I’ve maintained a career in music for this long because I don’t just take the easiest road all the time."

A world-travelling jazz-didge virtuoso of the ‘90s and stage and screen star best known for his lead role in The Chant Of Jimmie Blacksmith, one can’t help but be drawn to Lewis – music from a life thoroughly lived.

It’s a dynamic record, playing with pace, samples, a veritable shit-ton of sounds and most importantly, mood.

It is always a pleasure to witness Deftones in full flight, maybe next visit they can insert some new blood into the finale.

"I think what comes with reggae music and what comes with Groundation is commitment to the sound and to the evolution of the music and not so much to pop culture and trying to be something that is gonna [make you] a millionaire."

Offering the set-list and a T-shirt to a thankful punter who claims a hug, the audience is delighted and murmurs their support to the delicately talented Marshall as they shuffle out to find dinner.

Parton shows no signs of slowing down with Blue Smoke; rather quite the opposite – and why the hell should she, she’s fabulous!

"I didn’t realise how racist Australia was. I also didn’t realise how beautiful it was so the good with the bad I suppose."

A day and night of diverse and top-notch music and the perfect chance to get loose with friends and loved ones.

Don’t be fooled by Mogwai’s penchant for playful titles as there are still guitars, noise and ambient charm aplenty across Rave Tapes: just be prepared for a complex, dynamic, thinking man’s kind of rave.