Matt O'Neill, Journalist

After listening to the one-time drum’n’bass producer grow increasingly abstract over the past decade, it’s really just a relief to hear him bring the ruckus with such enthusiasm.

"We had a very finicky, very particular vision for what we wanted to do with this album,... We just wanted everything – from the songs to the production – to be a bit more organic."

“In a way, I think it’s more of a statement - of the kind of music we want to make, of who we are as artists. We’re really stoked with it.”

“But, aside from that – potentially completely false – need to escape this band.”

“I mean, we’re all music nerds. The spectrum of influences in the band is absolutely huge. If ever there’s a time to branch out, it would be the album, right? I’d love to try some really different stuff.”

"A year ago, I had no plans whatsoever to ever make another record again – and now I have one that should be out in March..."

“I think our only plan at the moment is to play lots of shows. We might start looking at recording an EP at the beginning of next year – which should be great.”

It’s more a diverting curiosity than fulfilling listening experience.

Tender Napalm is a product of exceptional hard work. Yet, while purporting to be about love, it’s an endeavour almost entirely bereft of heart or soul.

Kim Moyes gets insulted when our writer mentions a dubstep influence.

Generally, there’s never a problem of having our music received by different kind of audiences, especially by pop/rock audiences,”