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playing a Godin [5th Avenue], a Canadian brand. It's got no tone at all and it's just all about rhythm, and finding the sweet spots in the chords ... punk. This year's more…  I don't know why, it's probably just tones for me. I'm trying to slow my playing to sound like Jimmy Reed. Catherine

takes. It's pretty straight forward. A lot of it is just overdriven amp tones. For the heavier sounds, I'll just put a fuzz pedal in. Not really ... seventies Tele. It's just a beautiful sounding thing. I like a really clean tone that has body to it and the Tele seems to give it to me without

seasoned player would notice and appreciate. Next thing that struck me was the TONE! It is so well balanced with just the right amount of bass, mids and treble. This ... around the sound. This instrument is incredibly stable both tuning and tone wise. It looks elegant and not overdone and at around $2,500 is well worth the investment

vintage analogue sounds; then there's 'hex' setting which allows the layering of six tones; there's fifty drawbar organ presents in organ mode and the nine sliders

less they do the job as well as one would hope. As for tone… well this guy is bright and brittle. I have a heavy right hand (I'm right ... young or beginner player. A more mature player may not get enough from the tone. The electronics worked fine, the pickup good and E.Q.  (bass, middle, treble) responsive enough

fire-breathing shred. Two body-mounted zebra humbuckers provide a wide range of tones, with a five-way selector splitting the pickups into single coils at positions ... John Petrucci model) with a single bridge humbucker and two single coils providing the tones. This particular guitar was finished in white with a black pickguard for a cool, classy

input, effects loop, as well as band pass EQ in the form of a Tone knob, and a Dynamic knob; which is basically presence. The first thing you will notice ... clock, this amp already was warm, the break up was great, and the tone was spot on. The amp handled everything I threw at it, from a jazzy, only slightly

features a fixed bass and treble with sweepable mid cut/ boost for massive tone sculpting capability. So what are the advantages of having your own mixedr for your headphones

track by using a nice insert preset that gave quite an impressive, slick vocal tone and added some reverb and delay on playback. The inbuilt mics sound great, true studio

bold and brilliant, with a tight bass response and a lot of presence. The tone and action made it a fingerpickers delight, and like the last Timberidge I reviewed, this ... gain into an acoustic amp or PA you're rewarded with great tones. I actually like the fact that it has no onboard preamp, because being a sound

possible to go really loud without any discernable distortion. The quality of tone was nothing short of stunning, and the real winner here was the ability to blend room sounds

used this pedal with my Les Paul and Marshall Plexi to get a beefier tone out of my amp. The overdrive consists of controls for 'Level', 'Tone' 'Drive' and 'Sparkle ... Booster' for '70s drive, and good Blues overdrive when dialed in with cleaner tone. Overall I thought this pedal sounded great for older '70s and '80s hard rock/ metal tones