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Then Peter Avard's low, smooth voice. Then the wonderful higher pitched but honey-toned harmonies of Matty Took. They are modern Australian folk personified, with tales of the everyman

Higher Power comes programmer Andras Fox . Warm bass pulses meld beneath mellow Kompakt-style tones; it's pretty sweet but ultimately samey stuff. Fox dabbles with African percussion and clipped

band's signature vocals can be heard, but have taken on a lighter tone in this track showing an overall softer side. PHOENIX do have snippets of the original

height to the track, all tied up with huge drums, almost tribal in their tone. Bringing this kind of standard to the table first time round, ELLIPHANT has made

simple three-piece arrangement of lead guitar/vocals, drums and a bass, the delicate tones and compassionate lyrics of singer Codie resonated all the emotional intensity of someone years her senior

with a 15-minute double-whammy opus Head On/Pill totally works and sets the tone for the following seven tracks. It's difficult to escape the sitar and theremin across