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matching different valve brands together, so you mix and match to create your ideal tone

depth and action suited to a wide range of styles, projecting a full, rich tone with an amazing depth of bass. Plugging in the new AP5 Pro pickup provides incredible

your pedal board. I had a chance to check out the bright, bold, aggressive tones of the little blue version, which is based on the original circuitry of a prized ... always the simple two knob format is perfect for instantly dialling in a killer tone, and a diverse array of sounds are achieved by plugging in different guitars with different

sound quality is fantastic at 48Khz/20 bit, so the pedal won't affect your tone in the slightest, and having multiple loops at the same time enables the user

knobs cranked, placed in front of my Marshall Plexi with a driven tone. Here I was able to get a sort of church organ sound, which was unlike anything

liquid saturation, with a beautifully notched three-band EQ to shape your tone. A word of warning though – there's a lot of output with this pedal ... what sort of colour the pedal added. At its bare minimum, here the tone simply got fatter and a bit darker. Turning up the mids and distortion took me into

versatility as she flitted between the banjo, guitar and keys. Her rich, soulful tones shone in the harmonies before she took centre stage with Tasmanian troubadour Van Walker

described by the band as one about surviving, which gives the release a positive tone amongst the brash exterior of punk. The release was produced by Chris Townsend, whose previous