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long.” Were the abandoned versions of Purple Skies, Toxic Rivers much different in tone to the finished product? “The first one was heaps different, it was all live instrumentation with

legends — I’m not writing about tailgate parties and beer and trucks.” Is the tone of the new music she’s been working on much of a deviation from that

tour, which also happened to feature Deez Nuts. It was in 2013 that they toned back their extensive touring schedule to pen album number five, Die Knowing

sparse and infinitely delicate flurries of notes to coruscating screeches of digital sound, droning tones in a suspended state of hypnosis to melodies that hung in the air with melancholic

deliver on their promise of a bigger and better album. The sepia organ tones of I’m Not Coming Back firmly root the band in their own sonic territory

point, hitting every note and beat with precision. Vocalist/guitarist Joe Newman’s guitar tone is ridiculous, and cuts through the mix with some serious aggression, while drummer Thom Green

Killers and Interpol proud. Slipping into a slick backbeat a rockin’ rhythm guitar tone, Community has real swagger. Its Nashville riffing, thunderous slide solo and classy casual vocals would give

feel and classy riffage. Things close down on Golden Monument , an explosion of full toned riffs and vocals that drag out and sound like an early Smashing Pumpkins album