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voice that bends but never quite breaks, but it’s something in those crystalline tones of hers that draws you in, and inexorably drags you along with it.  Almost ... millions heard it, possibly without even realising that that oddly-appealing half-swallowed vocal tone was him. Now his own man and own work, it has an unexpected warmth even

drums explode with primal energy and the guitars have a massive rock'n'roll tone. The bass trundles matter-of-factly while Ben Marwe explores his voice in strange

were instrumentally on point, supported by lavishing and delicate drum fills and gliding guitar tones, long and often unnecessary breaks in between songs hampered some of the group’s gathering ... impeccable tightness. Vocalist Sophie Hopes’ versatility was, as always, bliss surrounded by the recognisable tones and character of guitarist Matt Tanner joined by Nick Vasey’s unstable movements and drummer

work of electronic music and not pop. There is a darkness to the tone of the song however the track builds to a section that derives from the strong percussion

numbing guitar drones that are heavily processed while Olsen chips in with harsh synth tones that feel like the blades of a helicopter slicing and dicing the air overhead

Cavill and Hammer — both of whom deftly underplay their roles — setting the tone for the film. The Man From U.N.C.L.E. may be something of a trifle, but when

breakdowns - the whole shabang. One thing the band seems proud of is the Australian tone, as the vocals sometimes form into hardcore bogan shouts, which is as funny