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complicated and a little more calculated than before, but still retaining those familiar instrument tones and rhythms that make Battles' songs such face-melters. The band has now officially released

gone weird and corporate.  The Hamjam duo sailed deep into the tone zone and took a few turns around the quay, peaking with a cover of the irreducible Wicked

framework, maybe the next one will be a totally different feeling and tone and colour scheme and different things will be explored. But they will be executed with that same

complements the lulling melancholy to the track, while maintaining crisp clear images, dull cool tones and a slowed down tempo a sense of hopelessness remains present throughout. The video

there is more assurance from the get go. A beautiful introduction, with the crooning tones of Tompkins, builds an almost unbearable tension, with the addition of some killer harmonies helping ... heavy they can be, launching into a heavy assault, with Amos Williams ’ thundering bass tones providing a pure aural assault. The dynamic range of the group is apparent throughout