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classic comes off as the ultimate sad-o song, suiting Karvountzis’ vocal range and tone to a tee. Working on only a few singles since dazzling last year’s BIGSOUND

fill the void by losing another guitar. I have to think about using different tones or playing different lines to compliment the single guitar we have. Right on. I think ... time.  Mike: We actually went through a couple variations of the bass tone to find the right balance between filling the low-end void and getting that grit, that

easily the best song on the release. It’s got some hectic guitar tones that sound like freakin’ blenders filling out the majority of the song with a lovely screeching

mention. All of the guitars have an incredibly bland nu-metal tone to them, and that's not a cardinal sin by any means, but what is, is that ... final note rings out. ‘ I Want To Live ’ feels like a retread of the tone and vibe of oldies like ‘ Rebirthing ’ & ' Awake & Alive ', except it's nowhere near

also another feel - a totally different world, starting with what sounds you play and tones you get. The phrasing and how they make rhythms, that's the idea with that