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feels more literal here than in the first track, where its darker tones felt a little more angelic. Here, it's like you're surrounded by shadows rather than

M.I.A. ', it all never fails to disappoint. Finally, there is a rather bleak tone that underpins this whole record and it's something that I also felt with Germany

which only needs a subtle, 30-second intro before the thick, low-end guitar tone announces the impending carnage. Duelling guitars battle for harmonic supremacy in the midsection, before frontman ... through the threshold, but standing at the precipice — reveals the sombre and reflective tone imbued amongst Xibalba’s otherwise crushing and cathartic music. Ultimately, ‘Diablo, Con Amor.. Adios’ delivers

early on. It doesn’t really sit right with Vera Blue’s naturally brooding tone in her vocals, as much as she tries to distance herself from this on Private

synth can display. Yet, with the soaring vocal line and the light, fragile tones that sit underneath the crippling drops, Enschway manages to pull it off perfectly

with my undying affection for it, the crowd’s energy, movements and the overall tone are what elevated this part of the set to stratospheric heights

Paul Reiser, possibly as an untrustworthy suit, hints at an Aliens influence on the tone – gotta be happy about that. Premieres 31 Oct on Netflix