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take on a pop favourite of ours. The aesthetic is totally complimentary to the tone set by  YORKE on the track, and it's a match made in heaven

duet with Melbourne singer Gretta Ray , who Odette described as having a “beautiful tone”. "I’m so excited to release this song out into the world on Friday,” Odette told

vocals, the production in the verses is used sparingly to let the words and tones shine through. The instrumental continues to build into a bass-fuelled frenzy, one that ... right at home in a  Kinder DJ set. It's drenched in tropical tones and feel good vibes, and the dancehall vibe brought to this one really makes

cavernous atmospheric vibe this band carves out - along with a fuckin' wicked bass tone. Also, I'm not sure if this was intended, but I just love how much this

little more flavoursome and sun-stroked, with the slight dancehall tones of their debut making way for a more tropical sound, with chiming melodies and thick synth forming the starting

especially as the single strips away in its dying moments, with its nostalgic, funk tone adding a further layer into what's already quite a complex track - a good

often start our shows with it. Just seems to set the tone for what we're about and starting extreme has always felt the best way for us. As this