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vocals, the production in the verses is used sparingly to let the words and tones shine through. The instrumental continues to build into a bass-fuelled frenzy, one that ... right at home in a  Kinder DJ set. It's drenched in tropical tones and feel good vibes, and the dancehall vibe brought to this one really makes

cavernous atmospheric vibe this band carves out - along with a fuckin' wicked bass tone. Also, I'm not sure if this was intended, but I just love how much this

little more flavoursome and sun-stroked, with the slight dancehall tones of their debut making way for a more tropical sound, with chiming melodies and thick synth forming the starting

especially as the single strips away in its dying moments, with its nostalgic, funk tone adding a further layer into what's already quite a complex track - a good

often start our shows with it. Just seems to set the tone for what we're about and starting extreme has always felt the best way for us. As this

their latest LP, I think it's quite apparent how this song's tone and atmosphere was perfectly fitting for ' Dear Desolation ', but also why it was left

Coming to us today with six tracks, the EP is characterised by lush tones, sweeping soundscapes and  Luboku 's absolute mastery when it comes to dissolving layers of sound

electronic. What kinda tunes we talking: Our sound is comprised of full, spacey guitar tones, attention-grabbing bass lines, punchy drum beats and infectious melodies. We’re interested a wide

darker edge, matching the single's repeating vocal hook with a somewhat mystery-shaded tone. " Japanese Hotel was written about a dream I had," he explains on the track