Reviews

The highlights from Spacey Jane’s headline show at the Hordern Pavilion, Sydney.

Kamasi Washington simultaneously conforms to traditional ideas of the jazz idiom and moves it forward in the most exciting way possible.

Black Star isn’t just music; it’s a living archive. A communion. A reminder.

Performing for the 30th anniversary of 'I Should Coco,' Supergrass prove they're much more than youthful nostalgia.

A once-in-a-lifetime experience, homegrown metalcore icons Parkway Drive make a triumph return to home soil, hitting up the Sydney Opera House for a black-tie affair, complete with symphonic orchestra.

Going out in style, Holy Holy's 'Grand Hiatus' shows have been a celebration of everything they’ve built.

By the time 'Diving Woman' crashes into its final, thundering chords, we’re no longer inside a venue. We’re in Michelle Zauner’s universe: romantic, weird, luminous, alive.

This was a performance of fragility and control, intimacy and grandeur, warmth and distance, held together by Gibbons’ unmistakable voice.

In a magical set, Jessica Pratt proved that she isn’t a performer in the theatrical sense; she’s a conjurer.

This wasn’t just ANOHNI’s last performance in Australia with The Johnsons. It was an elegy for the Anthropocene.