Go backstage with The Music and receive FREE:

  • Exclusive members-only editorial, charts
  • Our subscriber-only newsletter
  • Members only competitions to win tickets, experiences and more
  • Access to our street press archives
  • First access to our exclusive limited edition vinyl variants

Thank you for being a part of our community! Enter your email address as verification and you'll be taken backstage right away.

Please ensure that you provide a valid email address.

Reformation

Bethany Cannan

As you explore the three levels of the gallery space you will encounter bold, thought-provoking pieces that confidently move between states of pleasure and pain.

In January this year the reputation of White Rabbit Gallery hit a new high when the New York Times chose the Chippendale resident as their number one destination in Sydney. In March, White Rabbit Gallery presents its tenth exhibition, Reformation, one of their most astonishing offerings to date. An homage to their previous exhibitions can be viewed through an expanse of paintings hanging together in the gallery foyer, but as you explore the three levels of the gallery space you will encounter bold, thought-provoking pieces that confidently move between states of pleasure and pain. On level one you will find Shyu Ruey–Shiann's Eight Drunken Immortals, robotic ink paintings that ask the viewer who or what is the artist here? Hop to level two to be overcome by MadeIn Company's Play 201301, an impressive model of a Gothic Cathedral constructed entirely of bondage supplies, suspended in the centre of the room. And don't forget to take the elevator to the third floor, if only to visit Sun Hongbin's Fat Lady.

White Rabbit Gallery to 3 Aug