Synth-pop sometimes bordering on dance, but becoming something better than the identikit of the currently fashionable form somewhere between the questions and expression in her voice, and the occasional shadows in the words. Lead track, The Good Life, is a good example with some apparent unease through the fugue and bright melody. Those who may recognise the name or voice from her guesting with Flight Facilities might favour the seemingly lighter Is It Love? which flowers into a swooping thing, with maybe something more hidden in its grooves.
