By rights he should be slowing down, faltering or being found wanting, but after 16 years in the game there's no sign of Clark's creativity waning.
His third album in four years is another radical change in trajectory, this time into harder, more ominous territory that's brilliantly evidenced on the dizzying highs of Hoova. What's most impressive is that amid the unpredictability, freshness and originality of highlights like the phantasmagorical Peak Magnetic and Catastrophe Anthem, Clark's unmistakable signature can be found running all the way through.
