Kora

Stuart Kora then returns solo to start a simple and familiar skank of the Burning intro, before they all individually come out slowly adding in their elements as everyone starts swaying and singing along to “another one we haven’t done in a long time”.

By the end of the show the strong crowd were favourable, but there was nothing groundbreaking going on that deserved anything more.

"The older stuff is still played exactly the same, we haven’t changed that. But yeah, the newer stuff, we’ll probably add a guitar in there, and there’s a lot of bass playing and stuff along with the electronic – we use real bass lines."

They'll play four shows around the country

he middle section seems to lack the same punch offered at the start but fortunately Bad Thing checks in towards the end for its bombastic but creepy horns and live kit under Francis Kora’s vocal gymnastics.

At the end, you’ll be ready to dig out Prince, Parliament and even Outkast records. And that’s no bad thing.

"We’re really happy with how it’s turned out, I mean there’s always a bit of pressure with the second album, those second album blues."

"Everything we do is now more of a sub-conscious thing... There’s no laws or rules to what we do – everything is put down to our subconscious."

"It’s all about space, the galaxy... We’re all geeks, we’re into sci-fi movies so that’s what ties us all together."

Light Years definitely achieves the cohesive feel the band were going for but much of the mellow dub sounds that were so strong on their previous work have been put aside for a lighter synth-based vibe.