Don't miss a beat with our FREE daily newsletter
"Nielson decides to jump off-stage, guitar in tow, and circle the whole venue, signalling his intentions right off the bat."
"Jamie Payet & The Family Collective waste no time in bringing high energy levels right from the get-go."
"Luna has planned her set down to a T, every detail meticulously scrutinised and executed to perfection."
"There are plenty of time signature mix-ups and tempo changes within songs as Cohen and co clearly show how comfortable they are moving around standard genre conventions and abnormal musical arrangements."
"From light-up bras and shoulder pads to the flashing, colourful images on the projector screen... the show is just downright sexy."
"The best is still to come, though, with a beautifully intimate version of 'Those Eyes That Answer' sans band, as Downey showcases his nimble and affecting guitar playing."
"They sing another stripped-back song, 'Cherokee Boy', before Caruana finally unleashes her secret weapon, a 20-piece choir, to a wonderstruck audience."
"This cacophony climaxes with an incredibly raw, almost tuneless (yet somehow glorious) version of ABBA's 'SOS', which is the best-received song of the night."
"Johanna's low harmonies and Klara's higher vocal range are a match made in folk heaven."
"There's nothing better than a good, old-fashioned guitar solo and Dyson certainly knows her way around a fretboard."