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prompted a myriad of pale imitators following in their wake.  With overpowering keyboard tones and soaring symphony arrangements reminiscent of classic film scores, the band separates itself from their

lack of piano driven ballads. In fact, the traditional piano sounds have been toned down dramatically and have since been replaced with a synth heavy keyboard sound

striking resemblances it bears to pop punk demigods Blink 182. Everything from the guitar tones, vocal phrasing, drum fills and even the riffs themselves sounds way too similar to Mark

together, in terms of sonics, it absolutely sounds the best and has the biggest tones.  For me it’s my favourite!    This was the first time that ... question that it wouldn’t sound as good. Jerry has a great ear for tone and just has great ideas on how to record. He’s got great equipment

production on 42:19 is exactly what these songs needed to breathe. Warm guitar tones and a mix which gives every instrument the attention it deserves, they couldn’t have

going for a nice mix of both records' art  in style and tone, I think we really got it musically, which was the goal. We fuckin' killed ourselves

road still an excuse for a 24 hour party or have you toned it down over the years?   I think we’ve all just figured out our bodies

both sound fucking insane on this. Me and Chris worked with Jason on guitar tones last night and we're gonna start tracking today. The guitars are a bit more ... they say) than the last two records, and alot closer to our live guitar tone. Nuno might start singing today, we'll see. We got here last week with