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Drive Like Jehu and Blink 182 in particular. When he first came in the tones he got for the record were really good but the main thing was that

engineer and he’s able to get really cool sounds and such a unique tone. Working with Squire was cool because we got to sit down with someone

more of an executive engineer who makes sure that you get the best guitar tones and drum sounds.   “Scream, Aim, Fire” would have to be one of the most

prompted a myriad of pale imitators following in their wake.  With overpowering keyboard tones and soaring symphony arrangements reminiscent of classic film scores, the band separates itself from their

lack of piano driven ballads. In fact, the traditional piano sounds have been toned down dramatically and have since been replaced with a synth heavy keyboard sound

striking resemblances it bears to pop punk demigods Blink 182. Everything from the guitar tones, vocal phrasing, drum fills and even the riffs themselves sounds way too similar to Mark

together, in terms of sonics, it absolutely sounds the best and has the biggest tones.  For me it’s my favourite!    This was the first time that ... question that it wouldn’t sound as good. Jerry has a great ear for tone and just has great ideas on how to record. He’s got great equipment

production on 42:19 is exactly what these songs needed to breathe. Warm guitar tones and a mix which gives every instrument the attention it deserves, they couldn’t have