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here, there is also unfortunately a fair bit of repetition, especially in the guitar tones which can make some of the tracks blend together a little too easily. Luckily

singing and playful guitar musings. The vocal harmonies later in the song set the tone for the rest of the EP, which is laced with well-placed stylish backup singing

depths of their atmospheric blend of alternative rock. Compared to their previous albums, the tone is more solemn than ever and the obvious pop moments are fleeting. The New York

other tracks will alleviate your initial response, with the album in a similar tone. The majority of songs are just drawn out interludes, with ‘Wisdom, Justice and Love’ the pick

Broadcasting...” with the solid, catchy breakdowns which made them popular. Moreover the heavier tone of “Symptoms + Cures” is equally reminiscent of singer Andrew Neufield and Jeremy Hiebert ’s old band

guitarist Matt Wieder provide a full sound to the record, with the guitar tone working its magic and adding the finishing touches to the band’s sound. With both songs

Anywhere” and “The Constant” are definitely a welcome edition. The opener “Hibernation” sets the tone, a 52 second epic intro which features thumping drums and reverberating guitars. Arguably

pressure. It is this carefree yet deliberate approach that gives the EP a clear tone, not coming off as muddled or overly complicated in the process. Opener, ‘Escape’ begins with

Skulls - "I Know What I Am" Black Sabbath - "Children Of The Grave" Blind Melon - "Tones Of Home" Blue Öyster Cult - "Burnin' For You" Bush - "Machinehead" Buzzcocks - "What

genre is in essence predicated, and equally defined by its confronting, bitter and overt tones. That is why, anything that offers a more ambient, moody and progressive resonance

simple yet catchy punk song, overall it's a fit opener and sets the tone perfectly. Next up is the hard hitting ballad type track "Above Ground" where drummer