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although still good, not quite as well delivered as its predecessor, bringing down the tone a little bit with a mid-tempo beat this song

light, controlled prog rock that is guitar heavy. ' Gallows ' employs a heavier, darker tone while ' The Levitated ' is a contrastive affair mixing traditional and contemporary stylings. Other attention grabbing moments

keyboards and synths rule the limelight with the majority of the sounds being positively toned, quite uncharacteristic of a Bright Eyes album. The question is, will fans like the happy ... suggesting that a lot of careful planning went into this record. The dirty guitar tones of ' Haile Selassie ' provide strength in what seems like a modern day version

novelty. That's a good thing? Right!? An overt party tone that is devoid of egotism is appreciated as much as it's welcomed. However, the balance is still disproportionate

song was given before we ever wrote lyrics. It's really based off the tone of the music, and how melodic and angelic the guitar part is. But furthermore, this

than the bigger festival shows? The atmosphere is what really matters in setting the tone for a show to us. We could be in the most monstrous and extravagant venue

fragmented, chainsaw-like riff that features some genuinely awesome guitar tone. From then on, the EP doesn’t really slow down, the rest of the opening track, Extinction Through Eradication

band a heavier edge than on past releases. There are the lighter, brighter toned moments such as the song Safe House , which has its roots planted firmly in pop-punk

that album starts. Building up to the chorus in much the same tone however it continues on with a heavier drum beat and bass line, with Henderson rawring