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Shame ”, “ Seize The Fire ” and “ Here We Go Again ” incorporating a much heavier tone than the grittier sound of “ War Is Hell ” or “ Beyond The Noise ”. “ The Enforcer ” features some

delicate acoustic guitars, Devine gradually gains momentum. The sparse arrangements accompanying his hushed-tones expand to include richer textures, an upbeat mood that melts as the slow–burning title track

while ' Faust ' is impressive. It's that simple! The track mixes an assertive tech tone with harmonising, both in vocals and guitars that feed off each other well

although still good, not quite as well delivered as its predecessor, bringing down the tone a little bit with a mid-tempo beat this song

light, controlled prog rock that is guitar heavy. ' Gallows ' employs a heavier, darker tone while ' The Levitated ' is a contrastive affair mixing traditional and contemporary stylings. Other attention grabbing moments

keyboards and synths rule the limelight with the majority of the sounds being positively toned, quite uncharacteristic of a Bright Eyes album. The question is, will fans like the happy ... suggesting that a lot of careful planning went into this record. The dirty guitar tones of ' Haile Selassie ' provide strength in what seems like a modern day version

novelty. That's a good thing? Right!? An overt party tone that is devoid of egotism is appreciated as much as it's welcomed. However, the balance is still disproportionate

song was given before we ever wrote lyrics. It's really based off the tone of the music, and how melodic and angelic the guitar part is. But furthermore, this

than the bigger festival shows? The atmosphere is what really matters in setting the tone for a show to us. We could be in the most monstrous and extravagant venue