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easily outshone the main act itself, with their city-slicking country blues tunes. Their tones were well executed, moving from the very sultry to, at times, a rollicking hoedown, harking

ramshackle and loose, there was an underlying strength to their playing. The rich guitar tones and Buzzcock-esque hooks made for compelling listening. Despite having played in several seminal late

rock'n'roll delighted the crowd. Saxophone and keys drenched everything in warm, soulful tones, while bassist Freddie Dennis had a great, straight-up, rock'n'roll voice. He shared

inherent joys of simply being alive. Musically the songs are closer to the mellow tones of TD&TK rather than the ramshackle folk of The Felice Bothers, given lush

heart on fire, literally as well as figuratively. Opening track, Black Sheep , sets the tone for the entire record, not necessarily in the sense of musical energy but in regards

came on board, he's just the most fantastic keyboard player, he added these tones and things that just really lifted the whole thing. And then Mick [Stylianou, bass

wind with its arms all around me ”) and Davison's pure vocal tones perfectly suit this classic song. Not so this scribe's favourite, Owner Of A Lonely Heart , however

came and smiled upon your face” with enough of original vocalist Jon Anderson's tone to satisfy the most hardened fans and we were away – Yes was back in Sydney ... notice too – but in the end all he delivered were the lines and the tone. He's obviously yet to really “become” a part of Yes and his performance essentially

vast array of Iron Maiden tour T-shirts started their night with the dulcet tones of local metal legends Lord . The boys were coming back for one of their first