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Freeman. This is an excellent album, and if you ever wished Ween would tone it down and grow up a little (though why would you?), then this'd be damn

this release, you'd find it very difficult to believe that he has actually toned down the intensity of his work, but what has been preserved is his sense

languid, reverb-laden dream pop and skips towards upbeat garage/pop-punk that embodies the tone of the album beautifully. The group covers themes like being better off post-relationship

people who have given up trying, then Sacha “Unclubbed” Collisson's recordings of toned-down club classics provide the soundtrack. As one half of Aurora, the British keyboardist has made

machines blazing. A Salute has sore thumb positivity about it musically, differing from the tone favoured earlier in the album. The whole collection feels as if it is working

that any piece of ink on the skin. The Melbourne-based band set the tone for the set with motor-revving Smoked Out City , the space around Luke Yeoward ... group's take on Traveling Wilburys classic End Of The Line fits the tone of the evening perfectly, breaking up the swing of 131 Bop and the down-tempo skank

acoustic Aussie rhetoric and dusty outback narrative. The morbid Dan O'Halloran sets the tone early, before banjo player Mike Hennessy joins and fills things out nicely on Hank Williams

comes out swinging over the rollicking beat of the title track, setting the tone for an album that is as gleeful as it is punchy and never sacrifices its underground

opening track R.A.T.S. on the other hand – an underlying dark guitar riff sets the tone of the song, whilst singer Liam Cormier's vocals are screamed throughout. Bricks & Mortar

pitch-black comedy, gymnastic camera-work, saturated-colours, and way-over-the-top tone he's based his career around. Effectively a satire on media hysteria, de la Iglesia gives

Existence showcases a nuanced ingenuity amid the bludgeoning. The slightly off-time and uniquely-toned, ambient guitars throughout the otherwise blisteringly fast Hate Creation suggest a pseudo-Tool progressive approach