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creative person. Like the painter's play of light and colour. The musician's tone and timbre. It's as if our internal creative forces all hinge upon experimentation, boundary

interesting social commentary bereft of studio effect on Black & Blue, and clipped throaty tones in Let Me Down Easy that the barrier crumbles and we're told a story

again in the morning to brighten the hangover; it's just so harmless. The tone darkens in Ruins , but even then it's dark in a fun, b-grade horror

Olsen's driving rhythms it makes for a cracking number that sets the tone for the rest of the album. Things get even more lo-fi with Lazy Daisy

corpse paint and fake blood. Back at the main stage the fashion may be toned down but the riffs are turned up as Death Valley Nights provide a loud lesson

Flesh’, how could it not be?   Opener ‘Hour Fortress’ sets the tone with a thumping bass-line interspersed with warped church-bell sounds and some jarring vocal input from

warm voice is coming through the phone line. It has that comforting tone that you could pull up a couch beneath and unload all your problems to. The person delivering

hitch.” The Afghan Whigs had a completely distinctive sound, a fluid yet distinct tone that evolved remarkably over their career, but according to Curley, it wasn't the result