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sets the sound apart from other beat makers. The live percussion and vintage keyboard tones of ' All In ' flow effortlessly into ' Getting There ', a glacial, post- Björk movement. Niki Randa

that front. The eerie spoken word intro to ' Doomblade ' sets the album's tone definitively. The track may not be particularly groundbreaking, but it is solidly executed. If the Meshuggah

drums while remaining more ladylike than a finishing school graduate. This sets the tone for the rest of tonight's set and it couldn't get better if they tried

synth eerily wading in the song with Phoebe Cockburn singing in that sweet tone that we’ve all come to love. As Sean Kelly joins in with vocals, a cymbal ... Kelly return. The chorus is smooth and the entire mix keeps a wistful tone making that suspense fade away into oblivion. AMTRAC has done a marvelous job at remixing