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despite the fact that it conjures images of droopy v-necks and two-tone hairdos rather too often, it's actually not bad. All Time Low's music is calculated

opener Sparks ; acoustic guitars, a dramatic string section and moody spoken word setting the tone. Not enough? Harmony-drenched The River indicates a sharpened sense of melody and occasion

with broad, dramatic strokes for the first movement before shifting into a more subdued tone for the second. The wall of strings evaporates, leaving a simple repeating guitar figure

journey Kora are taking listeners on, and opening track Little Stars sets the tone with its space-age groove. It immediately evokes NERD and much of Light Years features more

showcasing – or introducing, if this is your first encounter – both Pinback's distinct guitar tones and the unmistakable vocal strains of co-founder Rob Crow, sounding as deceptively smooth

have that tonal quality I'm after. It's a nice rich warm tone, and you just can't recreate it. Timber ages, and the vibrations running through it change

recordings, all interleaved. Flowing into and out from each other so that the dominant tone consistently shifts, the very fabric of the sound unwilling to settle into repetition. Pulses

Bastardfest. It's a position the Victorian five-piece seem to relish too; vocalist Tone Bone appears to be hammered and keeps spitting beer across the crowd and bassist Jason

scene in which they are well and truly engulfed. The bare bones, overdriven tones of their 'rockier' days, which produced such brilliant little numbers like their first single ' Sign

legs spread – his body holding up the weight of all his influences. Bonamassa has toned and shaped every element of his performance to such a degree that even audiences outside