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really creates Black Beauty (Neil's famous Les Paul guitar), Neil Young crunchy tones that I like. I have two amazing guitar players, Scott and Matty. When it comes ... freak out, but for the most part I just like to create slide tones.” Grace is something of a gear nerd and has kept most of the instruments

preset displaying a nice long tail, perfect for a solo performance or ballad. These tones were so great I jumped on over to YouTube for a quick karaoke session ... adding multiple layers to a mix. The “Ensemble” setting provided a good doubled/chorused tone, but it was the “Double Voice”, “Four Voice” and “Unison” patches that were truly outstanding

bone nut and bridge eliminate snags and further add to the tone, the chrome machineheads roll smoothly and the onboard tuner (on the B-Band) is awesome, changing from blue ... bigger than your average dreadnought, producing a solid bass and natural hi-fi tone that's perfect for recording. Action was at a medium height allowing notes to ring clearly

played on three tracks and co-wrote Insatiable with Simpson. Bourne's dirty fuzz tones compliment Simpson's dark, soulful vocal perfectly on this track. “We both share a great ... match that intensity.” Simpson plays guitar too and owns an impressive sunburst tone Epiphone Sheraton guitar as well as an Ovation 12 string. “When I first started playing on stage

learn, we don't want there to be 80 songs with the same guitar tone for every single tune.” Such fastidiousness comes at a price though. Not only did they ... keen to give them some stage time to help emulate the original album tones. “I have an old 1962 Double Anniversary Gretsch which is just beautiful. It's kind

despair balanced by a wicked sense of humour. Opening number Scars sets the tone for the rest of the set: a deftly balanced coming together of sadness and hope, laughter

show, it is a visual experience and that you can build and influence tone and experience with visuals just as much as the songs. In the case of Stop Making ... this is a Film that brilliantly encapsulates this band; you get their whit, their tone and their dedication to avoid all the bombastic excess of the big bands of their

like Witchdoctor . That's the thing with this album – it seems much lighter in tone than the raucous live shows the boys have been putting on relentlessly for the last