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other way for the most part. A six-minute opener is indicative of the tone. The music is not necessarily sharp and precise, it instead seems to move around feeding ... this particular style of music. Circle Takes the Square deliver an assortment of tones and sensations on ‘Decompositions: Volume Number One’. At times it’s a cascading listen, at other

confidence, but does however suffer from a slight sense of repetitiousness at times. The tone of the record is firmly established from its opening moments, with the slow violin lines

them for it. At about 2 minutes in, stirring house-inspired synth changes the tone from hopeless to hopeful, and we are reminded to look forward to next year