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vocal work that is consistent with Chad Valley 's aesthetic, while the subtle electronic tones make for a pleasantly deep track. What we may miss from the work

minute-and-a-half before WHANG steps into the fray. Between her morose tone and her falsetto choruses, she well and truly proves her aptitude at replicating

succeeded.   There's the bouncy and war-drum like percussion and tri-tones from  Architects,  with the djent and atmospheric tone of  Northlane  that creates ... gives the whole song a big "boost" in terms of its atmosphere and tone. There's still that sense of discontinuity but it's this background guitar melody that keeps

Morris , a distinguished rocker with a career spanning almost 50 years. Morris set the tone by playing a medley of his heyday hits, though his set seemed to inevitably revolve

stage. “How many of you motherfuckers love hip hop?” Premo shouts in his distinctive tone. Hyping the audience to no end, the duo begin their battle set with a James

bucked and swayed as their songs hit crescendos and faded out. The grim tone was almost a grind by the end, with not much let-up in the pressure