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with some self-deprecating banter.  With a “G’day”, Mick Thomas sets various tones of the ‘festive’ season with the observations of waiting for a train on Christmas

tragedy, with not a flicker’s disruption to the film’s masterfully steady tone – The Infinite Man charts a devilishly complex story whose narrative rivals the deconstructivist heights of Eternal

band, they can be serious if they need to as the wash low toned riffs in catastrophic cymbal crashes and distorted vocals. Closing track A Child’s Guide To Black

fierce, boasting a phenomenal vocal performance from Simon Wright, while the characteristic crunch guitar tone defines the band

overload with frontwoman Anika Pyle's high pitched vocal working against the full bodied tones perfectly. Old and Tired starts out with some simple palm-muting and the vocal lines