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Motown horns — and that's all just in the opening song. With a tone that takes big band bombast, but squeezes it into a roadhouse, honky tonk setting, this

evocative darkness. But that darkness, sadly, contributes to the film’s glowering air, its tone so stern that it soon turns dreary. Portman’s to-screen adaptation of the autobiographical

welcomed to country by Gadigal Elder, Uncle Charles (Chicka) Madden. He set the tone of the discussion as one underlined by warmth and welcome, specifically welcoming "all my Indigenous brothers ... thus won't be shown on primetime (or really any other time) television. The tone was jovial but serious. And it should be. Indigenous representation in the arts in Australia