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honest, guitarists are a special bunch. They’re like “Ooh hear that tone, that was huge”. I pretty much hear the same thing. We have a vast pool of influence

lyrics took a little longer. We then recorded the song over two days at Tone City with Sam Ford. Is this track from a forthcoming release/existing release

more successful (particularly his dark climax) but is terribly undercut by the uneven tone. Moreover, it is terribly aimless, repetitious (slow-mo driving, ironic radio songs), cliched and a slog

Pokemon Go banter are pulsating ballads, shaped from a plethora of different influences and tones. Sweet Jean are a tricky band to categorise, they hopscotch between influences; one moment Tarantino ... voice is powerful yet her performance subtle. This intent of portraying the right tone for each song is Keath's true talent and a reminder that the group

chugging DIIV-like quality that is executed well and breaks up an admittedly repetitive tone late in the album. It fades into Two Forever , a dreamy Beach House homage that

part in escaping and that’s something I’ve really tried to tone back down on. You know with ‘Lilac’ being red wine and also a Jeff Buckley reference