Without any underlying structure, these 'songs' rarely break from the jam-session jumble they're mired in. Sombre guitar notes partially alleviate this muddiness in closer 17b, which offers some rare melodic undertones that waver slightly between bashing clamour and introverted emo segments. Clanging noise dominates Vizsla, which is without the inclusion of necessary moments of clarity as perfected by Fugazi or Pavement (their apparent inspirations). These tracks imply they're building to something, but the Bristol trio seem unsure as to what that is.
