Reviews / Album

Kate Miller-Heidke is one of those rare musicians who possess the ability to transcend with ease between the realm of commercial and independent music. In the past five years, she has become renowned for her wind-chime voice, thought-provoking lyrics and fearless melodies, thus raising anticipation for her latest work Nightflight.

. Maybe it’s time Madge stopped hiring one night stands to help make her sound bankable and just wrote a ‘true’ album. There’s hints here that it’d be her best ever.

It may be early days, but as far as pop-punk records go, Anarchy, My Dear has strong potential to end up the best in its genre for 2012

There is no doubt Carty is a talent with a nice turn of phrase and you can hear the joy he brings to the table.

Equilibrium won’t boost God Forbid’s profile too much.

Gravel And Wine plays as reckless, joyful and heartfelt.

A perky collection of 15 covers tracks from musical legends The Faces and Bob Dylan through to fellow ‘90s rockers Teenage Fanclub and Travis.

She claims to be the 'female Weezy'. It's a revealing line. For an artist who burst onto the scene as a beacon of hope, messages like this one are a disappointment.

Oberhofer have definitely thrown the ‘less is more’ formula out of the window in regards the use of ‘oohing’.

It’s a return to personal, playful and the ‘just because he can’ musically unusual and simply gorgeous.

Children Collide have created a record that is deeply embedded in their identity while also expanding the possibilities of their music.

Sadness captured in a happy body.