With 14 local acts claiming a spot.
The most influential albums of all time are often debated so Apple Music are here to help, sharing their list of the 100 Albums That Changed Music.
Local artists have certainly made their impact known too with 14 places going out to Aussie acts.
Making the list is AB Original's Reclaim Australia, Kylie Minogue's Fever, Flume's Flume, Yothu Yindi's Tribal Voice, AC/DC's Back In Black, The Saints' (I'm) Stranded, The Triffids' Born Sandy Devotional, The Avalanches' Since I Left You (which has recently been the focus of the latest Rewind podcast series), Nick Cave & The Bad Seeds' Murder Ballads, Gurrumul's Gurrumul, Paul Kelly & The Messengers' Gossip, Tame Impala's Currents, The Presets' Apocalypso and Silverchair's Frogstomp.
International artists featured include Beyonce, 2Pac, Dolly Parton, Billie Eilish, Black Flag, David Bowie, Daft Punk, Cardi B, Marvin Gaye, Madonna, Lorde, Johnny Cash, Metallica and more. Check out the full list below.
2Pac | All Eyez On Me |
AB Original | Reclaim Australia |
AC/DC | Back In Black |
Amy Winehouse | Back To Black |
Aphex Twin | Selected Ambient Works 85-92 |
Aretha Franklin | I Never Loved A Man They Way I Loved You |
Avalanches | Since I Left You |
Beastie Boys | Licensed to Ill |
Beyonce | Lemonade |
Billie Eilish | When We All Fall Asleep, Where Do We Go |
Black Flag | Damaged |
Black Sabbath | Black Sabbath |
Blondie | Parallel Lines |
Bob Dylan | Highway 61 Revisited |
Bob Marley | Catch A Fire |
Brian Eno | Ambient 1: Music For Airports |
Britney Spears | ...Baby One More Time |
Cardi B | Invasion of Privacy |
Carole King | Tapestry |
Daft Punk | Discovery |
David Bowie | The Rise and Fall of Ziggy Stardust and the Spiders From Mars |
Dizzee Rascal | Boy In Da Corner |
DJ Shadow | Endtroducing... |
Dolly Parton | Coat of Many Colors |
Ed Sheeran | + |
Eminem | The Marshall Mathers LP |
Eric B & Rakim | Paid in Full |
Fleetwood Mac | Rumours |
Flume | Flume |
Gil Scott Heron | Pieces of a Man |
Glen Campbell | Wichita Lineman |
Gorillaz | Gorillaz |
Guns n Roses | Appetite for Destruction |
Gurrumul | Gurrumul |
Herbie Hancock | Head Hunters |
Janis Joplin | Pearl |
Jimi Hendrix | Are You Experienced? |
John Cage | Music Of Changes |
John Coltrane | A Love Supreme |
Johnny Cash | American Recordings |
Joni Mitchell | Blue |
Joy Division | Unknown Pleasures |
Kanye West | 808s & Heartbreak |
Kate Bush | Hounds of Love |
Kraftwerk | Trans Europe Express |
Kylie Minogue | Fever |
Lauryn Hill | The Miseducation Of Lauryn Hill |
Led Zeppelin | IV |
Leonard Cohen | Songs of Leonard Cohen |
Lorde | Pure Heroine |
Madonna | Madonna |
Marvin Gaye | What's Going On |
Massive Attack | Blue Lines |
Metallica | Black |
Michael Jackson | Thriller |
Miles Davis | Kind of Blue |
Missy Elliott | Supa Dupa Fly |
Nick Cave & The Bad Seeds | Murder Ballads |
Nine Inch Nails | The Downward Spiral |
Nirvana | Nevermind |
NWA | Straight Outta Compton |
Otis Redding | Otis Blue |
Outkast | Aquemini |
Patti Smith | Horses |
Paul Kelly & The Messengers | Gossip |
Pink Floyd | Dark Side of the moon |
Prince | Purple Rain |
Public Enemy | It Takes a Nation of Millions |
Queen | A Night at the Opera |
Radiohead | Kid A |
Rage Against The Machine | Rage Against The Machine |
Robert Johnson | King of the Delta Blues Singers |
Run DMC | Run DMC |
Sex Pistols | Never Mind the Bollocks |
Shania Twain | Come on Over |
silverchair | Frogstomp |
Sonic Youth | Daydream Nation |
Stevie Wonder | Songs in the Key Of Life |
Tame Impala | Currents |
Taylor Swift | 1989 |
The Beach Boys | Pet Sounds |
The Beatles | Sgt Pepper's Lonely Hearts Club Band |
The Clash | London Calling |
The Cure | Disintegration |
The Doors | The Doors |
The Pixies | Surfer Rosa |
The Presets | Apocalypso |
The Prodigy | The Prodigy Experience |
The Ramones | The Ramones |
The Rolling Stones | Sticky Fingers |
The Saints | I'm stranded |
The Spice Girls | Spice |
The Stooges | The Stooges |
The Triffids | Born Sandy Devotional |
The Velvet Underground & Nico | The Velvet Underground & Nico |
Tool | Aenima |
U2 | Joshua Tree |
Willie Nelson | Stardust |
Wu-Tang | Enter the 36 Chambers |
Yothu Yindi | Tribal Voice |
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In celebration of the list The Avalanches' Tony Di Blasi and The Presets' Kim Moyes have shared the five albums that "changed music" for them.
This album is so dear to our hearts. From the forlorn blue cover that inspired Since I Left You, to Brian Wilson’s childlike melancholy matched with Van Dyke Parks esoteric lyrics. This album is strange, wonderful and timeless.
The edits, the feeling, the hidden messages in the music. This album makes you feel something you’ve never felt before and can’t quite put your finger on. Sampling doesn’t get much better than this. Thank you J Dilla!
This record is like bizarre west coast pop via Walt Disney via '80s MTV. This seemed like a parallel spirit to what we were doing at the time and Keigo [Oyamada] remains a dear friend. It was lovely to come full circle and work with him on We Will Always Love You all these years later.
A psychedelic dream of warped luscious pop music. Layered tracks of guitars all bending to create a soundscape, likes of which we’d never heard. Amongst the controlled chaos are beautiful melodies and harmonies so soft in the mix they’re like almost like subliminal messages. Loveless transcends this world and transports you to your own version of heaven.
From the opening track of this masterpiece the vibe is set in such a style that automatically has you captivated. It's a protest album, an album about ecological tragedy, an anti-war album, an album about spirituality but most of all an album about love can conquer all if we can learn to love ourselves and each other. It's also a musical work of genius as every song is so beautifully written and played with Marvin’s ethereal voice weaving this magical carpet ride together.
I used to record my favourite community radio shows on cassette when I was away studying at uni or at my part-time job. That's how I first heard about Daft Punk. I can’t remember the name of the show or the DJ who played Da Funk and it was many months until I even found out what the track was called and who it was by. I wore that tape out until I got my hands on their debut album. Homework has been a constant reference point in my life until this day. The album is just bursting with freshness and energy and completely set a brand new course for electronic music that we are still feeling the effects of today.
2. Massive Attack - Blue Lines
Growing up as a fan of punk, moody goth bands and hip hop, I was also very fond of funk, jazz and soul, and towards my teens I was really starting to embrace electronic music in a big way. Massive Attack seemed to be able to bring a lot of the aspects or attitudes from these various walks of life together on their first record with such an effortless sense of cool. I’ve included it here because I still listen to it from start to finish every couple of months. For me, it's a timeless masterpiece.
Australian alternative rock in the early '90s was an unbelievably good time as a teenager. The Clouds' mix of surrealist art school lyrics combined with Jodi Phillis and Patricia Young’s impeccable heartstring harmonies hit all the sweet spots I never knew I had. I think I even discovered the Clouds and this album through their surreal music video for Hieronymus on Rage late one night when I was on a youth orchestra tour. That in itself is a lot to unpack! A little fun fact is that this album came out on Red Eye Records which is also a music store in Sydney that I’ve spent a lot of time at over the years. They alone have shaped my musical taste and helped me discover an amazing amount of quality music and I have so much love and respect for them.
So much heart, passion, devotion and pain in this recording you can really hear why this set a new standard not just what a jazz album could be, but any album. It's hard to imagine what the world was like before this album. Stone cold classic.
My Year 11 music teacher played Floe from Glassworks in a class one day and it straight up tore my head clean off! The music sounded like some kind of sped up-beat-less techno... relentlessly repetitive, intense yet uplifting and somehow it sounded closer to pop music than the classical music I was familiar with. I could not believe what I was hearing and I had no idea composers and musicians operating in the classical world were capable of ideas like this. From that moment on I decided that this was the kind of spirit I wanted to devote my life to. There are other pieces on this album that are the genetic blueprint for Glass’s film scoring career and in themselves have reshaped and redefined what a soundtrack can be. That imprint has changed the course of music forever.