Live Review: Miami Horror, Client Liaison, Goldsmith

Goldsmith shone with searing synth work and piercing guitar that defined this five-piece band as lively and dedicated. With their impeccable timing and tight sound, you will hear much more from them in the coming months. Client Liaison soon followed with their feathered hair and 1980s outfits, allowing the throng to be immersed in the revival of disco pop. Pounding synth let them hold the crowd in the palm of their hand as they turned the venue into one big party, as if it were Weekend At Bernie's. Screeching saxophone and soft vocals were reminiscent of a 1984 teenage heartthrob, and disco influences made this set perfect to warm up your dancing shoes. Miami Horror lit Oxford Art Factory alight with Real Slow. '70s-inspired beats and punchy percussion were perfectly mixed with funk-filled bass work. Moon Theory featured stunning vocal work and sweet harmonic tones. Galactic synth took the crowd into outer space as the guitar solo kicked into high gear. The guitar solo would soon become a welcomed common thread within their set. The party was turned up a notch as Make You Mine arrived on stage shrouded in rainbows lights; the synth slowly rose and vocals became sweeter. The bass jolted in and whirling guitar work made this track a highlight. Miami Horrors' latest single, Colours In The Sky, featured clashing drums and choral vocals that went well with the tambourine. The track was innocent, upbeat and filled with Passion Pit-style synth. Sometimes kicked in with such ferocity that it was almost a surprise. The synth was peppy while the vocals remained spunky. Holidays was the cherry on top of a delicious set from Miami Horror. The crowd erupted with glee as the drums pounded and the band cemented the happy vibe of the night as Josh Moriarty leapt onto the crowd while slaying the guitar solo.