Frank Woodley and Simon Yates explore the intimate relationship between twin brothers in the face of a harsh and cruel prison environment. More an absurdist drama than comedy, the romantic and tender moments between the pair are the most powerful aspect of the show.
The performance is well suited to the intimate venue, with the audience basically in the cell with the twins and some clever surround sound enhancing this experience. As the opening night, the shortage of seating was surprising, but the heat and overcrowding added to the hopelessness of the situation.
Woodley was a natural leader for the slapstick routines, which were heightened by Yates' impressive and seamless acrobatics. The physicality was engaging but the story line seemed basically non-existent. There was no background or context explored, and seemingly no purpose to the situation. The dialogue circled around nonsensically.
Though a few chuckles were drawn from the crowd, a different audience may have heightened the black humour of the piece, as there were a number of occasions where more audience interaction felt necessary.
Running to Sunday 27 January, The Famous Spiegletent, Honda Festival Garden, Hyde Park
Veterans lead this week's releases with new albums from Tim Rogers & The Bamboos (Album Of The Week) and Daniel Johns plus albums from Ella Thompson, The Vaccines and Unknown Mortal Orchestra.