Album Review: Frightened Rabbit - Pedestrian Verse

Led by singer and rhythm guitarist Scott Hutchison, Frightened Rabbit create anthemic and visceral indie-rock coupled with themes of Scottish iconography and culture. There's no doubt in their talent and ability, the lyrics are heartfelt, personal and meaningful, which is backed up by the band who deliver some grandiose and competent performances. Now the Scottish five-piece return with their fourth studio album, Pedestrian Verse.

Despite the album title, it's the lyrics and Scottish howl of Hutchison that leads the appeal of the album. They seem to have departed from their previous indie rock inclinations to a more emotional and elongated balladry. There are a lot of positives on the album, from Hutchison's nasal falsetto and lucid lyrics to the jangling guitars of Billy Kennedy and Andy Monaghan as well as the ever-growing presence of keyboardist Gordon Skene's use of synth. However, despite all these positives there is a distinct lack of creative spark or some variety that sets this album out from the pack. It's when they stray from the formula and use some more creative elements on tracks such as Backyard Skulls, Nitrous Gas and Late March, Death March, that their potential is realised.

Unfortunately the album becomes a bit repetitive by the end with the lads unable to change things up. There's a lot of folk-style rhythm guitar playing, which, though pleasing, becomes standard fare through overuse in most tracks. There are definitely some songs on the album, such as the rollicking guitar ballad Woodpile, that will deliver them some commercial notoriety and success.

Pedestrian Verse may not end up being critically regarded; however, it is a very worthy listen for fans and non-fans alike.