There’s plenty of space on Ask The Dust, which goes toward creating a kind of wild, spaghetti western vibe that’s tangible, yet still hard to define.
Christopher H James
With an appreciation of quieter moments and many ghostly echoes, there's plenty of space on Ask The Dust, which goes toward creating a kind of wild, spaghetti western vibe that's tangible, yet still hard to define. Titles are misspelt (Ghosst, Chhurch), This, with its gruesomely groaning cello and mumbled vocals that slip in and out, seems to begin halfway through Weigh Me Down and carries on into the beginning of the next track, while Diamond has two inexplicable minutes of silence in its centre. Prevailing throughout is an oppressive, disturbing atmosphere which could make for a radically thinking horror soundtrack. But in amongst all the curious experimentation, cuts such as Chhurch demonstrate that Lorn can still hone comparatively conventional productions that are as tough and hooky as the immediate competition.
It's not entirely cohesive – it may not even be 100% coherent – but it's a giant stylistic leap and a real indication of what Lorn is capable of.