The best thing about this collaboration is that it is much more than two like-minded, similar-sounding fellas having a jam at home.
The best thing about this collaboration is that it is much more than two like-minded, similar-sounding fellas having a jam at home. If anything, Hair proves how disparate each artist's sound actually is. The LP opens with Time, and it is apparent early that the resultant racket will be as slipshod and fun as anything either of them has released in the past. Halfway through this track there is a tempo change straight out of the dog-eared, well-worn '60s garage and psychedelia playbook. Things rarely veer from this terrain. Yet it is forever to their credit that Segall and Presley don't sound like bowerbirds, stealing from others in a hodgepodge fashion. Crybaby is a swinging, swaggering party monster; Scissor People segues from a heady paisley jam into a deviant dirge with nary a backward glance.
Hair is an aggressive, frantic and fun record that perfectly showcases what it is that Segall and Presley are actually doing. They aren't re-inventing the wheel – they are making it infinitely better.
This week new sets drop from Thy Art Is Murder, Refused, Batpiss and more.