EXCLUSIVE: On Set With The Cast Of INXS: Never Tear Us Apart

LOCATION # 1:

New Council Chambers, Trades Hall, Carlton (7.30am) 

Approximately 45 extras file down Lygon Street. There's an abundance of acid wash denim and it could be 1987 all over again. This morning, Trades Hall becomes the makeshift venue inside which one of INXS' college gigs as they targeted the US market is about to be recreated. During a previous shoot, Sidney Myer Music Bowl became Wembley Stadium. “Being on that stage and imagining what it would be like to play to 70,000 people” is a highlight from Ido Drent's experience portraying INXS drummer, Jon Farriss. Luke Arnold, who's perfectly cast as frontman Michael Hutchence, marvels, “It was pretty ambitious what we set out to do in the timeframe we had, really: turning Melbourne into places around the entire world over a couple of decades.”

As soon as Arnold heard about the project, he sent in some tapes “before they were even asking to cast anyone”. After auditioning other actors for the role, it was a tape of Arnold dancing “as Michael”. “I think it was on a Friday night while I was in Cape Town, after a big day of filming [Black Sails],” he remembers. “I set up my iPhone and filmed myself dancing around to an INXS song and that was the last thing that clinched the deal.”

Inside Trades Hall, the band cast of INXS: Never Tear Us Apart – which is rounded out by Nicholas Masters (Tim Farriss), Andy Ryan (Andrew Farriss), Hugh Sheridan (Garry Gary Beers) and Alex Williams (Kirk Pengilly) – get acquainted with the stage and their instruments. Masters wanders past and good-naturedly corrects us when we 'admire' his “dirty, rotten perm” (turns out they're his own natural curls). Williams wears a lot of Pengilly's “actual clothes” for the mini series, but the red billowy pants the actor sports today are brand new. “His red suit which he gave us was looking a bit tattered so we got another one made,” Williams clarifies.   

Drent actually learned how to play drums for a couple of years as a teen and took drum sticks along to the audition. “I was tapping away during the scene as if I was practising at home,” he recalls, “and that kinda worked 'cause – I didn't know about this, but Jon had requested that whoever plays him has to have at least played the drums along the line.” As Kick cranks through the venue soundsystem, hearing Hutchence's original snarling vocal makes his presence felt somehow. Onstage, Arnold's a bit more buff than the naturally streamlined Hutchence, but the actor has clearly done his homework.

INXS: Never Tear Us Apart director Daina Reid agrees. While filming this project, she says Arnold “has these weird moments where you go, 'Woah!'” because his resemblance to the beloved late INXS frontman is “quite uncanny at times”. And it's not just physical similarities; Arnold has perfected the Hutch strut, international accent and mannerisms. On his preparation for the role, Arnold shares, “I locked myself in a little house in Elwood and kinda got up every morning, had a beer, put on some INXS, watched every video that was available, read every book, listened to every song, read through all the lyrics and just kind of immersed myself in it and spent as much time as I could on his walk and his voice.

“Occasionally in the rehearsal room, I'd do something and Tim Farriss might be like, 'Oh, that! Like that!' If it jumped out at him that it reminded him of Michael, I'd kind of put a little pin in that and try and incorporate it in the show somewhere.” Although Sheridan spent a lot of time chatting with Beers, who is currently based in LA, via Skype, he confirms Farriss as “the go-to overseer of the whole thing”. ”I run everything by [Tim] and if he thinks I'm doing a good job then I don't care,” Sheridan laughs. “I go, 'Does this look like Garry?' and he's like, 'No, spot on!' I go, 'Thank god'.”

“It was great having the band there,” Reid acknowledges of their presence on set from time to time, “but I felt for them in a way because it seems like a long time ago, but it's not really, emotionally… You would see Kirk or Tim acting in a certain way [on set], and in a way I probably didn't expect, which would have to be confronting.”

Reid promises, “There's a lot of people who have a personal connection with Hutchence and we approached it in a very respectful way.”

UNIT BASE # 1:

Entrance driveway to Royal Exhibition Building, Rathdowne Street, Carlton

“Those girls were asking me who INXS are!” Sheridan points out a couple of the extras, 16-year-old twin sisters who originally thought he was Guy Pearce before correctly identifying him as “That guy from …Rafters”. “They were like, 'We've never heard of this band.'” The actor then busts out some footage of Reid teaching the 'band' some '80s moves. “I just had to get back and film it because I was like, 'This cannot be the job that I'm working on now',” he cackles. “I couldn't stop laughing. Look at how shit they are!? They're SO shit!”

LOCATION #2:

Wilson Street (near corner Macpherson Street),
Princes Hill

As the minibus delivering us to this location rounds the corner, Arnold (styled immaculately as Hutchence circa 1981 in a flowing, red, long-sleeved shirt and jeans combo plus trademark cascading mullet-mane) is leaning back against a Citroen ID21 safari wagon ready to shoot the next scene. Definitely another 'Woah!' moment. When the production sound mixer hands us some cans, we can not only hear the scene's dialogue once action is called, but also Arnold and Jane Harber (portraying Michele Bennett, Hutchence's first love/girlfriend whom he referred to as his “touchstone”) engaging in banter between takes. They cheekily discuss whether or not Bennett should in fact put down her uni books and jump into Hutch's car to move to Sydney (as is scripted) given that there's probably crossover with Kylie Minogue just around the corner and history shows the pair didn't work out romantically. 

Hutchence and Bennett remained lifelong friends, however. The final phonecall Hutch ever made, from Room 524 in the Ritz-Carlton hotel, was to Bennett. When asked how the star's death is handled in the mini series, Reid responds, “Because the world is divided, we cannot take a stance either way on that and it's not for us to do… Just because we are observers into someone else's life there will always be our own version of the truth. We're presenting the facts as they came to us from the band, but no one knows what went on in that room – nobody – so there cannot be a judgement. There just cannot be. There can be things people said, things that we know or heard, you know, a sequence of events and a result, but then we have to step back from that slightly.” 

Arnold is acutely aware of the profound effect that the aftermath of Hutchence's 1992 motorcycle accident in Stockholm – following an altercation with a taxi driver – had on the singer. “When you're condensing someone's life into a story, you're looking for those big turning points,” he tells. “That really changed so much of who he was and his essence.” Hutchence suffered a fractured skull as a result of the incident and permanently lost his sense of smell. “When you talk to anyone about it, too, that's the moment where things just changed and, whether he always had demons or they were new, his ability to control them – the way his emotions worked – just changed after that.”  

When he contemplates watching the finished product, Arnold sounds tentative. “When I wanna see Michael, I'm gonna see me. I mean, I have real faith in everyone that I worked on this with, but this is probably gonna be the toughest thing for me to sit back and watch at the end because it means so much [to me] as a role… I'm sure it's gonna be great and I'm sure everyone's gonna love the show, but I'm gonna be over in Africa with my phone turned off I think,” Arnold laughs, thankful that Black Sails will have commenced filming on season number two in Cape Town.