Live Review: Abbe May, Methyl Ethel, The Dianas

The Dianas, now sporting Doctorpus drummer John Lekias, immediately dove into its angsty set with style and gusto.

The group’s indie-rock vibe was accentuated early on with searing renditions of Static and Weightless. These soulful numbers, bolstered by Caitlin Moloney and Nathalie Pavlovic’s engaging melodies and pacey instrumental prowess, were well-received by the rambunctious audience. The group, delivered a touch of hutzpah and manic energy, their lively set made whole by a sharp and punchy rendition of 1000 Years.

Methyl Ethel has had its fair share of success since its formation last year. The pop-rock ensemble carried its laid-back, Sunday sesh attitude throughout its moody and eclectic set, kicking things off with revelatory 1980s-esque instrumentals and silky guitar riffs.

The ensemble’s powerful renditions of Rogues and Lagotto Romagnolo delighted the pub’s frenzyied patrons, overcoming the intensifying reverb. Despite the polite stage personae, the group’s visceral vocals and edgy lyrics painted a haunting picture. Its serene, kaleidoscopic aura bled seamlessly into powerful performances of Architecture Lecture and Poison Peach.

Shortly before the main event was due, a larger-than-anticipated crowd poured onto the dancefloor. The temperature rose tenfold as the masses cried out for Abbe May’s upcoming performance.

Bang on schedule, the Perth-born singer-songwriter warmly slinked out on stage, her stunning vocals and scintillating stage presence immediately amplifying hearty renditions of Cast The Devil Out and We Had A Real Good Time Together. May flawlessly smashed the highest notes and electric guitar solos throughout, fully supported by gothic imagery and whooping crowd members. She commanded the stage well before charging through eclectic soul-rock hits Trouble and Karmageddon.

Performing solo, suffering major technical difficulties in the second half, fought to deliver her wondrous collection of old and new anthems, but May’s undying charm resonated with the packed crowd. She laughed through the stuff-ups whilst working tirelessly to keep everyone entertained. Mammalian Locomotion, featuring mesmerising electric guitar riffs, became a punky and pulpy set highlight. Her cover of Ginuwine’s Pony stunned the audience, delivering the catchy lyrics and thumping beat with raw, unadulterated tenacity. Her solid set sent the crowd into head-bopping, arm-waving ecstacy; May, somehow, still managing to live up to the hype.