Reviews / Gear

It’s a quality amp, with three-tone EQ, push-pull mid frequency control and great construction.

It’s easy to play, amazing to hear and hey, if it’s sturdy enough to be played in orbit where angels fear to tread, it surely is ready for anything.

When stacked up against your average drum stool, well... nothing compares to it.

If you’re looking for a dreadnought that won’t break the bank, sounds great and aligns itself with that golden age of American guitar playing, the Recording King RD-327 is a great buy.

With clean and easy levels on all inputs, the 14FX is a package that’s hard to fault.

Comparable to the Maton EM320 Dreadnaught, the Timberidge 4 Series is bright, punchy and for under $700, a great first gigging guitar, or second guitar for that louder, rockin’ gig.

You can get killer surf tones, lots of “shoegazer”-approved ambient stuff, throaty rock’n’roll tones a la Neil Young, some fairly good country twang and smoky jazz tones.

It takes no time at all to dial in a great full tone. The input gain accommodated the output of both active or passive basses quite well.

The Timberidge TRBC-4ST is such a versatile, well thought out instrument.

If you’re an electric guitarist who likes small C-shaped necks, low actions and smaller string spacing you’d love this guitar.

The semi hollow body design ensures that notes naturally sustain, so not a lot of drive is required.