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Chris Isaak and his band move and perform with joyous ease and freedom.
James Taylor's voice has more emotional resonance than ever before.
As the set progressed, Filter delivered hit after hit, from the gritty intensity of 'Obliteration' to the anthemic 'Take A Picture' to the haunting melodies of 'Captain Bligh'.
The Whitlams Black Stump perfectly captured the essence of The Whitlams' original repertoire and drew a festival crowd in the early hours of a Sunday afternoon.
It felt like vintage Costello. It could’ve been the late 70s...
On the home stretch, but still with a big day of even bigger names ahead....
By the festival’s “hump day", the sun had finally chased away the clouds, and it seemed like there was nothing but blue skies and good vibes.
The Friday line-up was everything a mud-loving punter could have asked for – and it only heightened the appetite for what was still to come.
Tonight’s show is the glorious culmination of many decades of Jones' experience as a singer and entertainer.
Love Of Diagrams prove that, despite all that has happened in the last seven years, they still sound like no one else.