Album Review: The Strokes - Comedown Machine

The Strokes' fifth studio album, The Comedown Machine, clearly marks their confident re-entry into the contemporary music scene. The album features several tracks that embody the classic Strokes sound and some that signal a move forward into a more progressive, new-age vibe.

The album opens with Tap Out, which features a catchy, fast melody and understated syncopated drums, an enticing rhythm to open the record. The vocals, however, feel slightly overproduced and are less engaging than their instrumental counterparts. Welcome To Japan is one of the album's standout tracks as it pairs a unique melody and catchy rhythm with deep, intriguing vocals and a strangely sombre overtone. 50/50 marks a return once again to a classic rock'n'roll sound, again combining this with heavily produced vocals typical of singer Julian Casablanca's style and hence creating a distinct Strokes sound. Slow Animals also features this unique vocal tone; however, as with some other tracks on the album, the vocals feel slightly weak in places.

Partners In Crime truly harks back to a classic early-2000's Strokes sound, featuring a fast rock'n'roll beat and equally fast, catchy vocal phrasing. Chances is another of the album's highlights as it displays a welcome change of tone and pace; its vocals also showcase Casablanca's impressive range. The record finishes with Call It Fate, Call It Karma, an excellent choice of closer as it's understated and slow compared with foregoing tracks and makes for an intriguing finale, leaving listeners wanting more. This record confidently dismisses any fears that The Strokes have had their day, confirming instead that they still deserve their place at the forefront of the contemporary rock scene.