Album Review: Delphic - Collections

25 January 2013 | 1:26 pm | Helen Lear

It’s Delphic, but not as you know it.

Manchester's electro-loving three-piece, Delphic, are back three years after their debut album, Acolyte, with new release, Collections. Delphic fans beware however, this is probably not what you're expecting (this reviewer actually thought she had the wrong CD in the player!). That's not to say that there aren't some defining Delphic moments here, but the band have taken a decidedly different direction. The use of samples, synths and electronic beats are still there, but have been taken over by more pop-driven music with a hint of R&B.

Opener, Of The Young, has the trademark Delphic sound in the intro, then lifts into a catchy little number in the chorus. Baiya, the standout hit track on the album, is something of a cross between Yeasayer and the Backstreet Boys (yes, really) with some seriously perky pop influences, but it works and before you know it you're singing the lyrics in your head… over… and over. Freedom Found, Atlas and The Sun Also Rises are strong numbers with some trademark synths and electronic beats layered with emotive vocals that encapsulate the band's whole new sound.

Tears Before Bedtime is a beautifully pared-back James Blake-esque song that opens with a crackled phone conversation before James Cook lays down some soothing vocals and a sax adds some sultry depth. Don't Let The Dreamers Take You Away is downright cheesy, but closing track, Exotic, brings things back with some nice beats and samples. It's Delphic, but not as you know it.