Album Review: Zulu Winter Language

4 July 2012 | 9:21 am | Carley Hall

Although this ground is well-trodden, Zulu Winter have crafted a complex but cohesive album with swags of instantly likeable melodic gems and enough interesting lines to get under the skin and stay there

It's easy to see why there's been rife anticipation for Zulu Winter's debut longplayer Language. Since releasing first single Never Leave in November last year, the British indie, pop-rock quintet swiftly featured on many 'ones to watch' lists in the music press. But far from being swallowed up by hype and relegated alongside the new wave of British indie bands, Zulu Winter have transcended expectations by crafting an album that is both satisfyingly pop rock in attempt and mature in execution. Unashamedly catchy songs make it an experience to be repeated, while a deft hand in the studio ensures there's enough going on here to push it beyond the boundaries of releases by their peers.

Language is a cohesive listen, with all 11 tracks varying widely in complexity without straying too far from their formula of honest vocals aboard lush textures. Key To My Heart is the perfect opener, with swelling synths highlighting vocalist Will Daunt's cascading joy amid bursts of jangly guitars. Singles We Should Be Swimming and Silver Tongue pick up the pace and show off some catchy rhythmic interplay. Clever vocal harmonies underline pretty dreary subject matter in Small Pieces and You Deserve Better, with Daunt reaching to his depths to deliver on the latter. The boys let loose on Let's Move Back To The Front, splicing colourful, shimmering synths with jarring guitar phrases and interesting drumming, making it a distinct highlight.

Although this ground is well-trodden, Zulu Winter have crafted a complex but cohesive album with swags of instantly likeable melodic gems and enough interesting lines to get under the skin and stay there.