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Garbage
- Not Your Kind Of People

It’s an admirable approach for a chart-topping act on the comeback trail, though it’s complicated somewhat by sub-par material.

May 10th 2012 | Label: Liberator
For their fifth album, Garbage specifically vetoed reinventing their sound. After a nearly seven-year hiatus from recording, their sole ambition was to simply enjoy their natural idiosyncrasy and chemistry. Not Your Kind Of People bears all the stylistic hallmarks one would expect of an album created under such conditions. It isn't a great record but, for wont of less vague terminology, it has a nice feel to it.

The overall sound of the record will hit a listener right in the face. In contrast to recent albums like 2005's Bleed Like Me and 2001's BeautifulGarbage, Not Your Kind Of People is a dark, dingy, noisy record – noisier even than their grungy 1996 self-titled debut. The album kicks off with a one-two punch of synth-laced electro-rock in the form of Automatic Systematic Habit and Big Bright World, but even romantic numbers like the title track arrive caked in grime.

It's an admirable approach for a chart-topping act on the comeback trail, though it's complicated somewhat by sub-par material. There's only a handful of moments that really equal the aching beauty and sumptuous violence of the band's earlier work. Singalong lead single Blood For Poppies is a standout, as is the pulsing, swirling I Hate Love. The anthemic Control (“I confess I've lost control,” Shirley Manson crows in desperation) is the only true triumph of the set.

Not Your Kind Of People, however, doesn't really sound like a record designed to prove anything. It's a band finding their feet. So, even when Manson stumbles with an awkward lyric or a song seems a little rough, it's easy to forgive them. If nothing else, their next album should be killer.

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