Live Review: The Thin White Ukes

The premise behind The Thin White Ukes is a simple one - the songs of David Bowie performed on ukulele. The name itself is a clever play on words referencing one of Bowie's many personas from the 1970s: The Thin White Duke. Although a somewhat odd combination, this talented Victorian trio - together with their tenor, baritone and soprano ukulele - make the experience one that is almost out of this world.

This was the group's first visit to Adelaide and saw them perform a well-attended, one-off afternoon show in the fabulous Spiegeltent for the 2018 Adelaide Fringe. As the trio took to the stage (fresh from a lunchtime ukulele workshop at The Gov), we were immediately struck by the contrasting presence of the band members - Michael Dwyer and Robert Stephens in black while Betty France dazzled in her sleek, space-age jumpsuit, chunky platform shoes and shock of silver-blonde hair.

Launching into Moonage Daydream, it quickly became clear we were in for a treat. The contrast in the trio's chosen looks was matched by their different playing styles and vocal ranges. Dwyer, a music journalist who could possibly quit his day job based on this performance, plays excellent ukulele solos (yes, that's a thing). The three shared vocal contributions and these blended together perfectly.

The setlist was a pleasing mix of the classics and some well-chosen album tracks spanning much of Bowie's career - although thankfully there was nothing too obscure on offer. Highlights included Andy Warhol (from the classic Hunky Dory album) and a funked-up version of Fame, a song Bowie wrote and recorded with John Lennon.

The trio's biggest challenge was Space Odyssey, a hugely difficult task given the enormity of the original recording, but even this was skilfully executed - the audience providing handclaps in all the right places. One of Bowie's best covers, Sorrow, was also beautifully done with lush harmonies.

In one break between songs, France questioned the audience, "Are there any ukulele players out there?" and was met by large cheers. Clearly the Adelaide uke community had turned out in force.

The Thin White Ukes provided unique interpretations of some timeless songs, which were highly entertaining given the limitations of the instruments in use. Let's Dance was a good example of how impressive and practised the trio are and how well the three different types of ukuleles blend together.

But, most importantly, the trio were clearly having fun. While they don't take themselves too seriously, they do take the music very seriously. Their debut album from 2016, which was available for sale after the gig and also via the band's website, also captures the experience well.